Viz NLE allows broadcasters to work smarter. It seamlessly connects the Vizrt
real-time graphics pipeline with an existing post-production environment.
Broadcasters can thus retain the same graphical elements in both
surroundings. Instead of recreating existing Vizrt graphics using other
design software, a station can now design each graphic once, and use it both
live and in their post-production work.
Viz NLE provides fast turn-around times in busy newsrooms, and reduced design
and development overheads, for example, when changing a station’s branding.
The system
Viz NLE allows broadcasters to work smarter. It seamlessly connects the Vizrt
real-time graphics pipeline with an existing post-production environment.
Broadcasters can thus retain the same graphical elements in both
surroundings. Instead of recreating existing Vizrt graphics using other
design software, a station can now design each graphic once, and use it both
live and in their post-production work.
Viz NLE provides fast turn-around times in busy newsrooms, and reduced design
and development overheads, for example, when changing a station’s branding.
The workflow
With Viz Content Pilot, the operator can pick ready-made graphics for a
specific story. When using Viz Trio or Viz NLE on the Mac, the operator
chooses an existing template and inserts text, images and video to create a
new graphic which then appears in the timeline.
After choosing a graphic, the operator can move the Viz NLE effect around in
the video project's timeline and change its duration. All the time, the
effects can be edited, from simple spell checking to choosing different
pictures or graphics.
When stretching or shortening graphics that contain in and out animations, the
integrity of these animations is safe-guarded. The support for
variable-length effects means that out-animations are always triggered at
the proper time near the end of the effect. The same unaltered graphic can
thus be used in NLE effects of e.g. five seconds as well as five minutes.
Advantages and benefits
One of Viz NLE’s key advantages is the ability to preserve existing channel
branding without additional effort. The same graphics can be used in
different scenarios, from a station's video editing projects to live
broadcasts.
This is especially useful in near real-time coverage of, for instance,
elections and sports events, where the newsroom-oriented workflow of Viz
Content Pilot or the live-system performance of Viz Trio excels. Another
important advantage is Viz NLE’s unobtrusiveness. As a plug-in within the
NLE application, it saves the NLE operator time and effort by extending the
power and functionality of the products in Vizrt's graphics pipeline without
complicating the workflow with unnecessary details. The workflow is native
to the NLE application; Vizrt simply provides the plug-in to include Vizrt
graphics.
Available plug-ins
Today, Viz NLE provides a suite of plug-ins for these NLE applications:
- All Avid NLE systems with AVX support: Media Composer, Xpress Pro, NewsCutter
- Avid Liquid (formerly Pinnacle Liquid)
- Quantel QEffects 3.6 and later
Plug-ins for the following applications are currently in development:
- Apple Final Cut Studio
- Viz EasyCut
Some third-party vendors have developed Viz NLE-like functionality in their
own software:
- Harris Velocity
- EVS CleanEdit
Vizrt is continuosly considering extending support to other NLE applications,
and provides the means for third-party companies to include the same
seamless integration of Vizrt graphics into their own NLE suites.